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Easton Press "The Stranger" Albert Camus
Easton Press 'The Stranger' Albert Camus, Leather Bound Collector's Edition


 
VERY FINE GUARANTEED

A wonderful bright clean copy free of any markings, writings, or stamps. Sharp corners that have not been bumped. Unread book with tight binding. No bookplates attached or indication of any removed. The gilded page edges are free of any marks, scratches, or blemishes.

  $125.00
Publisher: Easton Press
Binding: Full Genuine Leather
Dimensions: Very Fine


Availability: Same Day Shipping
Product Code: EPFE415

Description
 

A Luxurious Leather Bound Masterpiece for Your Very Fine Library


Limited Edition - Collector's Edition. A great unique gift for yourself or for a loved one.
Part of prestigious The Collector's Library of Famous Editions published by Easton Press. Beautifully illustrated and bound in full genuine leather. A rare collector's edition that is hard to find, especially in this very fine condition.

One of the most celebrated works of popular literature by a historical writer. A true classic for your home library or office. Includes extra unattached Ex-Libris bookplate for your own personalization. Includes original collector notes.

Condition
Very Fine. A wonderful bright clean copy. Free of markings, writings, or stamps. No attached bookplates or indication of any removed. Tight spine. Not even a single scratch to the gilded page edges. Unread book.


Includes the classic Easton Press qualities:

 * Premium Leather
 * Silk Moire Endleaves
 * Distinctive Cover Design
 * Hubbed Spine, Accented in Real 22KT Gold
 * Satin Ribbon Page Marker
 * Gilded Page Edges
 * Long-lasting, High Quality Acid-neutral Paper
 * Smyth-sewn Pages for Strength and Durability
 * Beautiful Illustrations

PHOTOS OF ACTUAL VOLUME





The Stranger or The Outsider, (L’Étranger) is a novel by Albert Camus, published in 1942. Camus' first novel, it is perhaps his best-known work, and a key text of twentieth-century philosophy. Its theme and outlook are often cited as examples of existentialism, though Camus did not consider himself an existentialist; in fact, its content explores various different philosophical schools of thought, including (most prominently and specifically) absurdism, as well as atheism, determinism, nihilism, and stoicism.

The title character is Meursault, a French man (characterised by being largely emotionally detached, innately passive, and anomic) who seemingly irrationally kills an Arab man whom he recognizes in French Algiers. The story is divided into Parts One and Two: Meursault's first-person narrative view before and after the murder.


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