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Stephen King "Duma Key" Signed First Edition dj/HC, Near Fine/Fine





 
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  $349.00
 
Publisher: Scribner 2008
Binding: dj/HC
Edition: Signed First Edition
Dimensions: Near Fine/Fine

Stock Status:(Currently not available)

Availability: Same Day Shipping
Product Code: SK367

Description
 
Signature Authenticity: You will receive a legitimate hand-signed edition. This book includes a lifetime guarantee of authenticity and will pass authentication by the PSADNA, AMA (Academy of Manuscript and Autograph ), or any other such company that specializes in autographs.

Personally signed by Stephen King directly into the book on the title page. This is a genuine autograph by Stephen King and not a facsimile, stamp, or auto-pen. No bookplates. Beautiful signature presentation in bold ink.

Condition: Near Fine/Fine. There is only a minor mark to the page edges of the book. A wonderful bright clean copy. Free of markings, writings, or stamps. No bookplates attached or signs of any removed. No bumped corners. Dust jacket is now protected in new Mylar sleeve.

All the First Edition, First Printing issue points:
  • $28.00 on unclipped dust jacket
  • Full number line on copyright page 1 3 5 7 9 10 8 6 4 2
  • No mention of later printings


About Duma Key
Duma Key: Where It All Began

A Note from Chuck Verrill, the Longtime Editor of Stephen King

In the spring of 2006 Stephen King told me he was working on a Florida story that was beginning to grow on him. "I'm thinking of calling it Duma Key," he offered. I liked the sound of that--the title was like a drumbeat of dread. "You know how Lisey's Story is a story about marriage?" he said. "Sure," I answered. The novel hadn't yet been published, but I knew its story well: Lisey and Scott Landon--what a marriage that was. Then he dropped the other shoe: "I think Duma Key might be my story of divorce."

Pretty soon I received a slim package from a familiar address in Maine. Inside was a short story titled "Memory"--a story of divorce, all right, but set in Minnesota. By the end of the summer, when Tin House published "Memory," Stephen had completed a draft of Duma Key, and it became clear to me how "Memory" and its narrator, Edgar Freemantle, had moved from Minnesota to Florida, and how a story of divorce had turned into something more complex, more strange, and much more terrifying.

If you read the following two texts side by side--"Memory" as it was published by Tin House and the opening chapter of Duma Key in final form--you'll see a writer at work, and how stories can both contract and expand. Whether Duma Key is an expansion of "Memory" or "Memory" a contraction of Duma Key, I can't really say. Can you?

--Chuck Verrill


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