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Easton Press, Kurt Vonnegut "Slaughterhouse-Five" Signed Limited Edition w/COA [Sealed]
Easton Press Kurt Vonnegut Slaughterhouse Five Signed Limited



 
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VERY FINE GUARANTEED

Sealed in the original shrink-wrap. The condition is of the highest quality without any discernible flaws. The corners are sharp and there are no marks, scratches, blemishes to the gilded page edges.

  $450.00
 
Publisher: The Easton Press 1998
Binding: Full genuine leather
Edition: Signed Limited Edition
Dimensions: 9" x 6" x 1.5"

Stock Status:In Stock

Availability: Ships in about 1 week
Product Code: KV100

Description SIGNATURE AUTHENTICITY
 

"Everything was beautiful and nothing hurt"

Vonnegut's most powerful book and also as important as any written since 1945. An elegant leather-bound collector's edition from Easton Press. This special collector's edition has been personally hand signed by the late Mr. Vonnegut on a special dedication page. Includes COA, collector's notes and unattached bookplate for your own personalization.


COA from Easton Press guarantees signature authenticity.

Easton Press Norwalk, CT 1998 .205 pages. 8 7/8 x 6. Signed by Author. Leather-bound, includes Certificate of Authenticity from Easton Press, notes, and unattached "Ex-Libris" bookplate. Brand new and flawless.


Includes all the classic Easton Press qualities:

* Premium Leather
* Silk Moire Endleaves
* Distinctive Cover Design
* Hubbed Spine, Accented in Real 22KT Gold
* Satin Ribbon Page Marker
* Gilded Page Edges
* Long-lasting, High Quality Acid-neutral Paper
* Smyth-sewn Pages for Strength and Durability
* Beautiful Illustrations


About Slaughterhouse-Five

Slaughterhouse-Five is one of the world's great anti-war books. Centering on the infamous fire-bombing of Dresden, Billy Pilgrim's odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we are afraid to know. The contents of this book are studied in universities around the world.

Slaughterhouse-Five is taken from the name of the building where the POWs were held. Like Catch-22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it unique poignancy -- and humor.

Don't let the ease of reading fool you--Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters..." Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes 'unstuck in time' after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden.

About the author

Kurt Vonnegut, Jr. (November 11, 1922 to April 11, 2007) was a prolific and genre-bending American author. The novelist is known for works blending satire, black comedy and science fiction, such as Slaughterhouse-Five (1969), Cat's Cradle (1963), and Breakfast of Champions (1973). He is also known for his humanist beliefs and being honorary president of the American Humanist Association.

He was a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America's attention in The Sirens of Titan in 1959 and established him as "a true artist" with Cat's Cradle in 1963. He was, as Graham Greene declared, "one of the best living American writers.

Design career

Vonnegut's work as a graphic artist began with his illustrations for Slaughterhouse-Five and developed with Breakfast of Champions, which included numerous felt-tip pen illustrations, such as anal sphincters, and other less scatological images. Later in his career, he became more interested in artwork, particularly silk-screen prints, pursued in collaboration with Joe Petro III.

In 2004, Vonnegut participated in the project The Greatest Album Covers That Never Were, where he created an album cover for Phish called Hook, Line and Sinker, which has been included in a traveling exhibition for the Rock and Roll Hall of Fame.


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