| Jerry Lewis memoirs of one the most famous teams in Hollywood.
Personally signed by Jerry Lewis on a special title page. A wonderful leather-bound collectible book for your library. Makes the perfect gift ! COA from Easton Press guarantees signature authenticity.
US First Edition; First Printing, Full-Leather, 8vo, As New; Signed by Author. Norwalk, CT, U.S.A.: Easton Press, 2005. A special Limited First Edition/First Print preceding the trade edition, this copy SIGNED by AUTHOR and actor Jerry Lewis. A wonderful copy of this scarce book in As New condition, never taken out of its original shrink-wrap;
A most unlikely pair, a handsome crooner and skinny monkey, an Italian from Steubenville, Ohio, and a Jew from Newark, NJ. Before they teamed up, Dean Martin seemed destined for a mediocre career as a nightclub singer, and Jerry Lewis was dressing up as Carmen Miranda and miming records on stage. But when they got together it all came different. Jerry Lewis memoirs of one the most famous teams in Hollywood.
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Book Photos

From Publishers Weekly
Over the course of their 10-year partnership, Lewis and Dean Martin made 16 wildly popular movies (they were the world's number one box office earners from 1950 to 1956), but their real strength was their performances in nightclubs, theaters and on television. Audiences found their mixture of music and ad-libbed, irreverent comedic pandemonium intoxicating. The duo's fascinating kinship—Lewis idolized his partner, while Martin was aloof—has been chronicled in Shawn Levy's King of Comedy and Nick Tosches's Dino, but Lewis wants to give his late partner the credit he feels critics missed by always praising the "the monkey" rather than the straight man. Untangling the complicated union, Lewis doesn't spare himself, admitting that when the team's relationship unraveled (they weren't speaking between scenes on their last film), he became a bully on set and made others the brunt of the anger he couldn't vent at Martin. Lewis is a wonderful raconteur, and his tales capture the excitement of their budding career and the slow, sad erosion of the fun. Whether it's his age (Lewis is 79) or his coauthor (Kaplan co-wrote John McEnroe's You Cannot Be Serious), fans will be surprised and entertained by Lewis's honesty and diminished ego and bitterness.
From Booklist
Dean Martin and Jerry Lewis soared to popularity in post-World War II America, as their unlikely chemistry proved successful. The two met in New York City in 1945, where Lewis, a struggling comedian, and Martin, a handsome crooner, were looking to hit the big time. This candid memoir examines the tumultuous yet productive relationship that developed between the two as they spent 10 years performing live shows and making movies. As Lewis tells it, in the early years of the duo's success, they began hanging out with movie stars and other celebrities, and life was one continuous party, with loads of money and all the booze, babes, and good times that either could ask for. But despite attempts to manage their egos and to handle the other pressures that come from living a fast life, eventually the magic began to fade and the two finally called it quits in 1956. After parting ways, both achieved great solo success: Martin becoming a member of the famous Rat Pack and Lewis a successful writer, producer, and director. Although they never really worked together again, Lewis maintains that he never stopped loving Dean Martin, and indeed this book is an adoring tribute to the man. (It may leave some readers wondering what Dean's side of the story would be.)
Book Description
They were the unlikeliest of pairs—a handsome crooner and a skinny monkey, an Italian from Steubenville, Ohio, and a Jew from Newark, N.J.. Before they teamed up, Dean Martin seemed destined for a mediocre career as a nightclub singer, and Jerry Lewis was dressing up as Carmen Miranda and miming records on stage. But the moment they got together, something clicked—something miraculous—and audiences saw it at once.
Before long, they were as big as Elvis or the Beatles would be after them, creating hysteria wherever they went and grabbing an unprecedented hold over every entertainment outlet of the era: radio, television, movies, stage shows, and nightclubs. Martin and Lewis were a national craze, an American institution. The millions (and the women) flowed in, seemingly without end—and then, on July 24, 1956, ten years from the day when the two men joined forces, it all ended.
After that traumatic day, the two wouldn’t speak again for twenty years. And while both went on to forge triumphant individual careers—Martin as a movie and television star, recording artist, and nightclub luminary (and charter member of the Rat Pack); Lewis as the groundbreaking writer, producer, director, and star of a series of hugely successful movie comedies—their parting left a hole in the national psyche, as well as in each man’s heart.
In a memoir by turns moving, tragic, and hilarious, Jerry Lewis recounts with crystal clarity every step of a fifty-year friendship, from the springtime, 1945 afternoon when the two vibrant young performers destined to conquer the world together met on Broadway and Fifty-fourth Street, to their tragic final encounter in the 1990s, when Lewis and his wife ran into Dean Martin, a broken and haunted old man.
In Dean & Me, Jerry Lewis makes a convincing case for Dean Martin as one of the great—and most underrated—comic talents of our era. But what comes across most powerfully in this definitive memoir is the depth of love Lewis felt, and still feels, for his partner, and which his partner felt for him: truly a love to last for all time.
About the Author
JERRY LEWIS and Dean Martin sandwiched sixteen money-making films in between nightclub engagements, recording sessions, radio shows, and television bookings during their ten-year partnership. Over the following years Lewis remained in the spotlight as the groundbreaking creator and star of a series of hugely successful movie comedies, and scored triumphs in stage appearances in Europe, where he has been hailed as one of the greatest director-comedians of the twentieth century. He was nominated for the Nobel Peace Prize, and has received numerous other honors for his tireless efforts in the fight against the fourty neuromuscular diseases. JAMES KAPLAN has written novels, essays, and reviews, as well as over a hundred major profiles for many magazines, including The New Yorker, the New York Times Magazine, Vanity Fair, Esquire, Entertainment Weekly, and New York. In 2002 Kaplan coauthored the autobiography of John McEnroe, You Cannot Be Serious, which was an international bestseller (and #1 on the New York Times list). He lives in Westchester, New York, with his wife and three sons.
Jerry Lewis (born on March 16, 1926, according to most sources), is an American comedian, actor, film producer, writer and director known for his slapstick humor and his charity fund-raising telethons for the Muscular Dystrophy Association.
Lewis was originally paired up in 1946 with Dean Martin, and formed the comedy team of Martin and Lewis. Aside from popular nightclub work, they starred in an extremely successful series of comedy films for Paramount Pictures. The team broke up ten years later (to the day).
Lewis was born in Newark, New Jersey, to a Jewish family. His birth name was Joseph Levitch, though Shawn Levy's biography, "King of Comedy," claims this is untrue and that Lewis' name at birth was Jerome Levitch. His father was a vaudeville performer. He began in burlesque in 1942 at age 16 and married two years later in 1944 at age 18.
Martin and Lewis
Lewis gained initial fame with singer Dean Martin, who served as a straight man to Lewis's manic, zany antics as the Martin and Lewis comedy team. They distinguished themselves from the majority of comedy acts of the 1940s by relying on the interaction of the two comics instead of pre-planned skits. In the late 1940s, they quickly rose to national prominence, first with their popular nightclub act and then as film stars. Critics often found it difficult to describe their chaotic act beyond the laconic "Martin sings and Lewis clowns". But audiences loved the electricity and excitement of the team, which flourished on live television (primarily on NBC's Colgate Comedy Hour) and in a long string of movies for Paramount Pictures.
Martin's roles in the films became less important as the scripts concentrated more on Lewis. Martin's diminished participation became an embarrassment in 1954, when Look Magazine used a publicity photo of the team for the magazine cover, but cropped Martin out of the photo. This understandably strained the team, and the partnership finally ended in 1956.
Both Martin and Lewis went on to successful solo careers, but for years neither would comment on the split, or consider a reunion. The next time they were seen together in public was a surprise appearance by Martin on Lewis's telethon in 1976, arranged by Frank Sinatra. Lewis wrote of his kinship with Martin in the 2005 book Dean and Me (A Love Story). When Sinatra tried to bring Lewis back to Martin, Lewis was quoted as saying, "I'll never work with that drunk ever again".[citation needed] Although the pair eventually reconciled in the late-1980s after Martin's son died, there was never any reunion.
Jerry Lewis, comedy star
After the split, Lewis remained at Paramount and became a major comedy star with his debut film The Delicate Delinquent in 1957. Teaming with director Frank Tashlin, whose background as a Looney Tunes director suited Lewis's brand of humor, he starred in five more films, and even appeared uncredited as Itchy McRabbitt in Li'l Abner (1959).
In 1960 Paramount needed a quickie feature film to fill its release schedule, and asked Lewis to produce it. Lewis came up with The Bellboy. Using the Fontainebleau Hotel in Miami as his setting, on a small budget, a very tight shooting schedule, and no script, Lewis shot the film by day and performed at the hotel in the evenings. It was a true achievement: the film's star also produced, directed, and collaborated with Bill Richmond on the many sight gags. During production, Lewis developed the technique of using video cameras and multiple closed circuit monitors, allowing him to view scenes while he was filming them. This allowed him to review his performance instantly. Later, he incorporated videotape, and as more portable and affordable equipment became available, this technique would become an industry standard known as video assist.
Lewis directed several more films which he co-wrote with Richmond including The Ladies Man, The Errand Boy, and the iconic film, The Nutty Professor.
By 1966 Lewis, now 40, was no longer an angular juvenile and his routines seemed slower and more labored. His box office appeal waned, to the point where Paramount Pictures' new executive suite felt no further need for the Lewis comedies. Undaunted, Lewis simply packed up and went to Columbia Pictures, where he made several more comedies.
Later, Lewis pursued several personal movie projects. He starred in and directed the unreleased The Day The Clown Cried in 1972. The film was a drama set in a Nazi concentration camp. Lewis has explained why the film has not been released by suggesting litigation over post-production financial difficulties. More importantly, however, he recently admitted during his book tour for Dean and Me that a major factor for the film's burial is that he is not proud of the effort.
Lewis returned to the screen in 1981 with Hardly Working, a film he both directed and starred in. Despite being panned by the critics, the film did eventually earn $50 million. He followed this up with a critically acclaimed performance in Martin Scorsese's 1983 film The King of Comedy in which Lewis plays a late night TV host plagued by obsessive fans (played by Robert de Niro and Sandra Bernhard). Ironically, the role had been offered to, and turned down by, Dean Martin. Lewis continued doing interesting work in small films in the 1990s, most notably his supporting role in Arizona Dream (1994), and also Jerry's last picture Funny Bones (1995).
Lewis and his popular movie characters were animated in the cartoon series Will the Real Jerry Lewis Please Sit Down which premiered on ABC in 1970 and then ended in 1972. The show was produced at Filmation Studios in partnership with Lewis, and starred David Lander (later of Laverne and Shirley fame) as the voice of the animated Jerry Lewis character.
Lewis remained popular in Europe: he was consistently praised by some highbrow French critics in the influential Cahiers du Cinéma for his absurd comedy, in part because he had gained respect as an auteur who had total control over all aspects of his films, comparable to Howard Hawks and Alfred Hitchcock. In March 2006 the French Minister of Culture awarded Lewis the 'Legion of Honor' calling him the 'French people's favorite clown.' [1] Liking Lewis has long been a common stereotype about the French in the minds of many Americans, and is often the object of jokes in U.S. pop culture.
Charitable work
Lewis helped establish the Muscular Dystrophy Association in 1952, and has organized a Labor Day telethon to help raise money for the Muscular Dystrophy Association (MDA) since 1966. His efforts have helped raise approximately US$2 billion for neuromuscular patient care and research. In the early years it was Martin and Lewis raising money for MDA, and then Lewis continued on when he went solo. The International Association of Fire Fighters is the largest single sponsor of the Muscular Dystrophy Association, starting in 1954, and has donated over $250 million dollars to date. Lewis has served as National Chairman of the association since 1952.[2] Lewis is one of few fundraisers who brings in more than is actually pledged. This is because many donors as they write a check add extra money to help "Jerry's Kids" given his generosity and no-pressure appeal.[citation needed] In 1977, he became the first and only media celebrity to be nominated for a Nobel Peace Prize and in 1985, he received a US Department of Defense Medal for Distinguished Public Service. In September 2005 Lewis was slated to receive the Governor's Award from the Academy of Television Arts and Sciences, honoring his long-running telethons.
The telethons are typically star-studded: among Lewis's co-hosts through the years were Ed McMahon and Casey Kasem. A frequent performer in the 1970s and 1980s was Frank Sinatra, who surprised Lewis by reuniting him with Dean Martin on the telethon in 1976.
On his 40th Labor Day telethon in 2005, Lewis added Salvation Army fundraising (for Hurricane Katrina) to his usual MDA fundraising, though he also encouraged viewers to give to the American Red Cross. He has also hosted the 1987 and 1991 editions of the French Muscular Dystrophy Téléthon, where he is known for his work against this disease.
Health concerns
Lewis suffered a minor heart attack on June 11, 2006 at the end of a cross-country commercial airline flight en route home from New York City. [3] It was later found that he also had pneumonia. Lewis had two stents inserted into an artery in his heart that was 90% blocked, and it restored full blood flow to his heart. This has allowed him to continue his rebound from the lung issues he suffered from 2001-2005 and his health is getting better all the time. While it meant cancelling several major events for Lewis, he recuperated in a matter of weeks. Lewis currently resides in Las Vegas, Nevada.
Trivia
One of Jerry Lewis' stars on the Hollywood Walk of Fame
- Jerry Lewis has won many prestigious Lifetime Achievement Awards from The American Comedy Awards, The Golden Camera, Los Angeles Film Critics Association, The Venice Film Festival and he has two stars on the Hollywood Walk of Fame.
- Lewis has battled prostate cancer, diabetes and pulmonary fibrosis. Medical treatment for the fibrosis in the early 2000s caused the comedian to experience weight gain and bloating that noticeably changed his appearance.
- Lewis has suffered years of back pain due to a failed slapstick stunt that almost left him paralyzed. An electronic device developed by Medtronic recently implanted in his back has helped reduce the discomfort. He is now one of Medtronic's leading spokesmen.
- Lewis tried his hand at singing in the 1950s, having a chart hit with the song "Rock-A-Bye Your Baby with a Dixie Melody" (a song originated by Al Jolson and popularized by Judy Garland) as well as the song, "It All Depends On You" in 1958.
- The Simpsons' voice actor Hank Azaria based the voice of Professor Frink on Lewis' Nutty Professor character Julius Kelp. Lewis was eventually invited to guest as Frink's father.
- The Animaniacs character of "Mr. Director" is inspired by Lewis. He is portrayed as well-mannered and quiet, but sometimes gets into loud yelling fits, where he often yells "Lady!"
- In 1984, he was nominated for the Golden Raspberry for Worst Actor for his role in Slapstick of Another Kind.
- Lewis is the father of 1960s pop musician Gary Lewis, who had several hits during the mid-1960s with his group Gary Lewis and the Playboys.
- He has been roasted by the Friars Club on three separate occasions, and now holds the position of abbot.
- In a radio interview associated with his 2005 book, he said that his IQ has been measured at 169.[citation needed]
- Dozens of Hollywood stars and screen legends have been lobbying for years to get Lewis the Lifetime Achievement Award from the Academy of Motion Picture Arts and Sciences. The reasons for not giving him the Oscar has been reported by insiders to be a few Academy board members that Lewis snubbed when he was the top box office draw in the world in the 1950s and 60s, and they were struggling to make a name in show business.[citation needed]
- Lewis might have been a role model for author Rodger Port-who had named the main character after Lewis (the book was called I'm now Rough and Ready).
- Lewis was mentioned in the 1965 song "National Brotherhood Week" by the American comic Tom Lehrer. In the spoken introduction to the song (from the album "That Was The Year That Was") Lehrer mentions other worthy causes celebrated by such charity weeks: "One of my favorites is National Make-Fun-Of-The-Handicapped Week, which Frank Fontaine and Jerry Lewis are in charge of as you know."
- In the Febuary 7, 1983 edition of People Magazine interview, Lewis claimed that he was "going for Bobby's throat" after actor Robert De Niro directed a slew of anti-Semitic epithets against Lewis. Despite De Niro's almost exact wording to Mel Gibson's anti-semitic remarks from 2006, De Niro has escaped the kind of controversy suffered by Gibson.
Filmography
| Year |
Movie |
Role |
With Dean Martin |
Notes |
| 1949 |
My Friend Irma |
Seymour |
Yes |
Film Debut |
| 1950 |
My Friend Irma Goes West |
Seymour |
Yes |
| 1950 |
At War with the Army |
PFC Alvin Korwin |
Yes |
| 1951 |
That's My Boy |
'Junior' Jackson |
Yes |
| 1952 |
Sailor Beware |
Melvin Jones |
Yes |
| 1952 |
Jumping Jacks |
Hap Smith |
Yes |
| 1952 |
Road to Bali |
'Woman' in Lala's Dream |
Yes |
Cameo |
| 1952 |
The Stooge |
Theodore Rogers |
Yes |
| 1953 |
Scared Stiff |
Myron Mertz |
Yes |
| 1953 |
The Caddy |
Harvey Miller, Jr. |
Yes |
| 1953 |
Money From Home |
Virgil Yokum |
Yes |
Filmed in 3-D |
| 1954 |
Living It Up |
Homer Flagg |
Yes |
| 1954 |
3 Ring Circus |
Jerome F. Hotchkiss |
Yes |
Re-released in 1978 as 'Jerrico The Wonder Clown' |
| 1955 |
You're Never Too Young |
Wilbur Hoolick |
Yes |
| 1955 |
Artists and Models |
Eugene Fullstack |
Yes |
|
| 1956 |
Pardners |
Wade Kingsley Sr/Wade Kingsley Jr. |
Yes |
|
| 1956 |
Hollywood Or Bust |
Malcolm Smith |
Yes |
| 1957 |
The Delicate Delinquent |
Sidney L. Pythias |
No |
|
| 1957 |
The Sad Sack |
Private Meredith Bixby |
No |
|
| 1958 |
Rock-A-Bye Baby |
Clayton Poole |
No |
|
| 1958 |
The Geisha Boy |
Gilbert Wooley |
No |
|
| 1959 |
Don't Give Up The Ship |
John Paul Steckler I, IV, and VII |
No |
|
| 1959 |
Li'l Abner |
Itchy McRabbit |
No |
Cameo |
| 1960 |
Visit to a Small Planet |
Kreton |
No |
|
| 1960 |
The Bellboy |
Stanley/Himself |
No |
Also directed |
| 1960 |
Cinderfella |
Cinderfella |
No |
|
| 1961 |
The Ladies Man |
Herbert H. Heebert/Mama Heebert |
No |
Also directed |
| 1961 |
The Errand Boy |
Morty S. Tashman |
No |
Also directed |
| 1962 |
It's Only Money |
Lester Marsh |
No |
|
| 1963 |
The Nutty Professor |
Professor Julius Kelp/Buddy Love/Baby Kelp |
No |
Also directed |
| 1963 |
It's a Mad, Mad, Mad, Mad World |
Man Who Runs Over Hat |
No |
Cameo |
| 1963 |
Who's Minding the Store? |
Norman Phiffier |
No |
|
| 1964 |
The Patsy |
Stanley Belt/Singers of the Trio |
No |
Also directed |
| 1964 |
The Disorderly Orderly |
Jerome Littlefield |
No |
|
| 1965 |
The Family Jewels |
Willard Woodward/James Peyton/Everett Peyton/Julius Peyton/Capt. Eddie Peyton/Skylock Peyton/'Bugs' Peyton |
No |
Also directed |
| 1965 |
Boeing Boeing |
Robert Reed |
No |
|
| 1966 |
Three On A Couch |
Christopher Pride/Warren/Raintree Ringo/Rutherford/Heather |
No |
Also directed |
| 1966 |
Way...Way Out |
Pete Mattermore |
No |
|
| 1967 |
The Big Mouth |
Gerald Clamson/Syd Valentine |
No |
Also directed |
| 1968 |
Don't Raise the Bridge, Lower the River |
George Lester |
No |
|
| 1969 |
Hook, Line & Sinker |
Peter Ingersoll/Fred Dobbs |
No |
|
| 1970 |
One More Time |
Offscreen voice of the bandleader |
No |
Also directed |
| 1970 |
Which Way to the Front? |
Brendon Byers III |
No |
Also directed |
| 1981 |
Hardly Working |
Bo Hooper |
No |
Also directed. Released in Europe in 1980 |
| 1983 |
The King of Comedy |
Jerry Langford |
No |
Filmed in 1981 |
| 1983 |
Cracking Up |
Warren Nefron/Dr. Perks |
No |
Also directed. Released direct to cable/video. Theatrical release in 1985 as 'Smorgasbord' |
| 1984 |
Slapstick (Of Another Kind) |
Wilbur Swain/Caleb Swain |
No |
Released in Europe in 1982 |
| 1984 |
Retenez Moi...Ou Je Fais Un Malheur |
Jerry Logan |
No |
French Release. Never Released in the US. Tentative US Titles were To Catch a Cop and The Defective Detective |
| 1984 |
Par Où T'es Rentré? On T'a Pas Vu Sortir |
Clovis Blaireau |
No |
French Release. Never Released in the US. Tentative US Title was How Did You Get In? We Didn't See You Leave |
| 1987 |
Fight For Life |
Dr. Bernard Abrams |
No |
ABC Television Movie |
| 1989 |
Cookie |
Arnold Ross |
No |
|
| 1992 |
Mr. Saturday Night |
Guest |
No |
Cameo |
| 1994 |
Arizona Dream |
Leo Sweetie |
No |
Filmed in 1991. Released in Europe in 1993. |
| 1995 |
Funny Bones |
George Fawkes |
No |
|
| Unreleased |
The Day the Clown Cried |
Helmut Doork |
No |
Filmed in 1971/1972 |
Miscellaneous filmography
- Screen Snapshots: Thirtieth Anniversary Special(1950) (short subject)
- My Friend Irma Goes West Trailer(1950) (special scenes filmed for the promotional trailer)
- Sailor Beware Trailer(1951) (special scenes filmed for the promotional trailer)
- Scared Stiff Trailer(1953) (special scenes filmed for the promotional trailer)
- Living It Up Trailer(1954) (special scenes filmed for the promotional trailer)
- The Bellboy Trailer(1960) (special scenes filmed for the promotional trailer)
- Raymie(1960) (Sings the Title Song Only)
- The Nutty Professor Trailer(1964) (special scenes filmed for the promotional trailer)
- The Disorderly Orderly Trailer(1964) (special scenes filmed for the promotional trailer)
- Man in Motion(1966) (Production Trailer for Three On A Couch)
- Boy(an 8 minute short from the compilation film How Are the Kids?) (1990) (Writer & Director only)
- The Making of Mr. Saturday Night(1992) (Documentary for Mr. Saturday Night)
Miscellaneous Television Appearances
- The Colgate Comedy Hour(1950s) Martin and Lewis hosted on numerous occasions
- The Jerry Lewis Show(1957)
- The Jazz Singer(October 13, 1959)
- The Jerry Lewis Show(1963) (13 episodes aired)
- Ben Casey(1964) (TV Episode, "A Little Fun to Match the Sorrow" as 'Doctor Greene')
- Batman(April 1966) (TV episode, "The Bookworm Turns")
- Sheriff Who,(1966) (NBC TV Pilot)
- Jerry Lewis Show(1967-1969)
- Run for Your Life(TV episode, "Down with Willie Hatch")
- Rascal Dazzle(1980) (HBO documentary on the Little Rascals; narrator only)
- The Jerry Lewis Show(1984) (5 episodes aired)
- Wiseguy(1988) (TV series, four episodes 'Garment Trade Arc')
- Mad About You(1993) (TV episode, "The Billionaire")
- The Simpsons(2003) (TV episode, "Treehouse of Horror XIV" as Professor John Frink Sr.)
- Law & Order: Special Victims Unit(2006) (TV episode, "Uncle")
Books
- The Total Film-Makerby Jerry Lewis. New York: Random House, 1971, ISBN 0-394-46757-4
- Jerry Lewis: In Personby Jerry Lewis with Herb Gluck. New York: Atheneum, 1982, ISBN 0-689-11290-4
- Dean & Me (A Love Story)by Jerry Lewis with James Kaplan. New York: Doubleday, 2005, ISBN 0-7679-2086-4
- The Jerry Lewis Filmsby James L. Neibaur and Ted Okuda (Lewis is quoted throughout). Jefferson, SC: McFarland, 1994, ISBN 0-8995-0961-4
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